
Review: The Marvel formula runs dry in ‘Captain America: Brave New World’
Daniel Patchen, news staff
• March 4, 2025

Review: ‘Emilia Pérez’ has too many stories to tell in one film
Laura Emde, news staff
• March 1, 2025

Review: ‘I’m Still Here’ is an ode to survivors of political oppression
Daniel Patchen, news staff
• February 28, 2025

Retro Review: Fantasy is your friend: A ‘Lord of the Rings’ trilogy retrospective
Meagan Ellis, news correspondent
• February 28, 2025

Review: Kendrick Lamar defies expectations, delivers bold political message during 2025 Super Bowl halftime performance
Jennie Koh, news correspondent
• February 20, 2025

Review: ‘The Substance’ is body horror at its finest
Kristina DaPonte, news staff
• February 20, 2025

Retro Review: Love is unforgettable in ‘Eternal Sunshine of the Spotless Mind’
Meagan Ellis, news correspondent
• February 10, 2025

Review: ‘The Brutalist’ hones in on art and capital’s precarious relationship
Jake Guldin, news staff
• February 10, 2025

Retro Review: On its 30th anniversary, ‘Se7en’ restores faith in the inhumane
Meagan Ellis, news correspondent
• February 6, 2025

Review: ‘Nickel Boys’ reaffirms subjective storytelling’s political power
Jake Guldin, news staff
• February 3, 2025

Review: ‘Dancing with the Stars’ cast lights up Boston with live show
Chloe Craft, news staff
• January 30, 2025

Review: ‘A Complete Unknown’ faithfully honors Bob Dylan’s legacy, but its potential is blowin’ in the wind
Darin Zullo, lifestyle editor
• January 22, 2025