By Sophie Cannon, deputy A&E editor
Thursday, March 30
In its 33rd year in Boston, the LGBT Film Festival is here once again. This year’s kick-off film is “Signature Move,” a movie about love, loss and Lucha-style wrestling. This timely film also highlights...
By Christina Philippides, news correspondent
The newest display in Northeastern’s Gallery 360, titled “Women’s Rights are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination,” combines graphic design and storytelling to promote...
By Logan Meyer, A&E editor
In typical DreamWorks fashion, “The Boss Baby” is an adorable, feel-good animated film fit for the family. Also in DreamWorks fashion, it is largely lacking in cinematic merit.
From the get-go, the story’s narration incites confusion. Constantly...
By Vy Thai, A&E columnist
From the original movie in 1933 to its remakes throughout the decades, the “King Kong” franchise has always been more than just a cliché about a giant ape climbing skyscrapers and pursuing forbidden love with women of the human race. Filmmakers...
By Gianna Barberia, news staff
Boat tours and cruises are not the only things you’ll find traveling across the harbor. Scheduled to open in summer 2018, the Institute of Contemporary Art (ICA) is expanding and opening a new location in East Boston, just a short water taxi...
They were given 10 minutes to write a poem, prefaced with advice to write down what they felt: They couldn’t expect to write Shakespearean sonnets in 10 minutes, so they should just write whatever came to mind.
However, at the end of the 10 minutes, nearly half of the 20 students...
If the International Championship of Collegiate A Cappella (ICCA) had a March Madness bracket, this past week’s semifinal competition would be the final four.
The show features a new character arc for the changeling child, a normally insignificant character, as well as interesting lighting and technical aspects.
