Amid the sound of screeching train wheels and beeping Charlie Card sensors, three new friends struggle to navigate a corrupt public transit system, which they believe is the root of their personal misfortunes. As they zipped around Boston’s underground railways fighting the villainous T employees, these locals discovered that they themselves are not so different from the subway lines they love to hate.
Presenting a full rendition of Carl Orff’s 25-movement composition “Carmina Burana,” 119 singers of the Northeastern Choral Society as well as the Northeastern University Madrigal Singers performed in front of an audience of about 300 at The Fenway Center on April 10.
By Oliver Price, staff writer
Indoor cheering accompanied by thumping bass could be heard out on the streets. Huddled together on the concrete floor, LGBTQA+ and allied community members gathered to celebrate poetry and music and to raise money for LGBTQA+ prisoners.
The...
The Northeastern University (NU) Wind Ensemble played its final concert of the semester – a themed performance titled “Music & Machines” – on Sunday, April 3 at the Fenway Center.
In the midst of a snowstorm, Northeastern University (NU) students continued to celebrate Springfest on Tuesday night by flocking to a sold-out Blackman Auditorium to watch voice actors H. Jon Benjamin and Eugene Mirman perform a stand-up comedy show.
From bright colors of abstract digital prints to the smooth grain of wood sculptures, the XYZ exhibition hosted by Northeastern University’s (NU) student-run contemporary art group spark featured both two- and three-dimensional pieces.
Thursday, April 7
Donald Trump has made America reflect on the Muslim immigrant experience: Some have chosen to side with Trump in his criticism on the rate of Muslim immigration, while others have embraced immigrants with open arms. Because neither group has much information on the lives of American Muslims, the Massachusetts Institute of Technology (MIT) is bringing together a group of Muslim alumni and students for a lecture titled “Being Muslim in America (And MIT) in 2016” to explain how recent events have shaped public opinion of American Muslims and how people can combat existing discrimination. The panel will consist of Nazeem Mazen, Abubakar Abid and Layle Shaikley. 33 Massachusetts Ave.; 6 – 8 p.m.; free.
When beast coast rap trio Flatbush Zombies released its first mixtape, “D.R.U.G.S,” in 2012, it was everything you would have expected out of a project with such a name: Colorful, cocky and festive. While the mixtape itself was not as revolutionary as the trio may want you to believe, “D.R.U.G.S” proved to be a solid, entertaining listen from beginning to end. A subsequent sophomore mixtape titled “Better Off Dead” released the year after was still ambitious and featured much cleaner production. As a fan, I anticipated a new album coming soon. I didn’t know I was going to have to wait three years for it.
As men strutted down the runway in studded black heels to a remix of Halsey’s “New Americana,” Northeastern University’s (NU) student groups broke down gender stereotypes while raising money for charity.
As DJ Mesgo grinned in anticipation and punched a button on his soundboard, a heavy hip-hop track echoed through the room, reverberating through the bodies of the dancers and manifesting in dance.
On a foggy Friday night in Allston, Boston-based alternative rock band The Life Electric stood outside the Great Scott music venue, eagerly waiting to perform alongside groups Oh Mai and When Particles Collide.
