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Review: Steven Spielberg re-examines the highs, lows of his youth with ‘The Fabelmans’
Jake Guldin, deputy lifestyle editor
• November 30, 2022

Review: Todd Field brilliantly orchestrates one woman’s downfall in ‘Tár’
Jake Guldin, deputy lifestyle editor
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Review: ‘House of the Dragon’ avenges iconic characters with new stories
Gracie Vogel, news correspondent
• November 21, 2022
Review: ‘The Banshees of Inisherin’ is a heartbreakingly relatable tale
Ben Churney, news correspondent
• November 14, 2022
Review: ‘All the Beauty and the Bloodshed’ is a stunning testament to the efficacy of activism in the arts
Jake Guldin, news correspondent
• November 7, 2022
Review: Taylor Swift reflects on sleepless nights in 10th album Midnights
Zoe Iorizzo, news correspondent
• November 2, 2022

Review: ‘Hocus Pocus 2’ doesn’t quite capture the magic of its predecessor
Julianne Panaro, news correspondent
• October 24, 2022
Review: In ‘Amsterdam,’ a cast full of stars fails to lift off
Ben Churney, news correspondent
• October 24, 2022

Review: ‘The American Roommate Experiment’ yields mixed results
Cynthia Chen, news correspondent
• October 23, 2022
Review: Queer love, history, culture are front and center in deftly humorous ‘Bros’
Jake Guldin, news correspondent
• October 16, 2022
Review: Rina Sawayama’s Hold the Girl is unfocused in the best way
Juliana George, deputy lifestyle editor
• October 7, 2022
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