All content by Sundararaman Rengarajan
Students at Northeastern University came together to celebrate the Hindu festival of Holi with a burst of colors, music and revelry on a sunny spring afternoon March 19. The event, organized by NU Sanskriti...
Berklee College of Music hosted an "All Access: Music + Web3" presentation and panel March 8, in which industry experts, musicians and blockchain developers gathered to explain the potential of blockchain...
Jamaica Plain's Ula Café, an all-in-one spot for coffee, pastries and sandwiches, has continued to thrive under new owners post-pandemic and evolve with new initiatives and community outreach programs.
Founded...
Ogbonné Mary Orji fulfilled her childhood dreams the night of Jan. 31 after several intense months of preparation and rehearsal for her passion project, “Conception: The Awakening of Ogbonné.” An...
Orji mesmerizes the audience while showcasing her skills in playing the tenor saxophone. The track “Ogbonné’s Awakening” portrayed her journey in music from her childhood to the present day.
Members of the Collective walk around Orji and dance to the song “Energy.” The song conveyed that the voice has its own power and was a blessing from God’s throne.
The Collective performs the finale, “Visionary Salute,” to thank their audience. This included impromptu dance moves, tune improvisations, dialogue and new lyrics.
Orji walks around the stage while dancer Christopher Stansell kneels on the ground to “praise [Orji] for her divinity” during the song “Lover’s Fiasco.” The dialogue represented two lovers and...
Ana Delgado Cruz and Maya Quinones dance in circles around Bianca Cabili as she sings and plays the bass. The combination of voice and movement used to perform this piece captivated the crowd.
Steven Amoikon plays an electric guitar on stage surrounded by members of the Collective. This piece depicted the spirit of perception and is a part of Orji’s upcoming second album.
A portion of Newbury Street, spanning from Berkeley Street to Massachusetts Avenue, has been car-free these past six Sundays.
![Orji walks around the stage while dancer Christopher Stansell kneels on the ground to “praise [Orji] for her divinity” during the song “Lover’s Fiasco.” The dialogue represented two lovers and pointed out the inequalities in a relationship.](https://huntnewsnu.com/wp-content/uploads/2023/02/5_Conception_1_31_2023_Spl_Sundar216-900x600.jpg)
