Review: ‘Conclave’ is an exhilarating account of papal ascendance
Jake Guldin, news staff
• November 8, 2024
Review: ‘A Quiet Place: Day One’ is about an alien invasion — but all Sam wanted was pizza
Mikayla Tsai, news correspondent
• July 15, 2024
Review: ‘Inside Out 2’ is a sequel that grows with its grown-up audience
Lawrence Brown, news correspondent
• July 3, 2024
Retro Review: ‘Scream’ (1996) mocks and embraces the classic slasher tropes
Ben Churney, news correspondent
• October 6, 2023
Review: ‘Bottoms’ is the campy gay comedy of the year
Juliana George, news staff
• September 19, 2023
Review: ‘Barbie’ highlights the harsh realities of womanhood while maintaining humor
Laura Emde, deputy lifestyle editor
• August 28, 2023
Review: ‘Oppenheimer’ is Nolan’s greatest achievement — and his most controversial effort yet
Yaakov Aldrich, news correspondent
• August 9, 2023
Review: ‘M3GAN’ balances elements of horror and serious themes with comedy
Laura Emde, news staff
• February 1, 2023
Review: Steven Spielberg re-examines the highs, lows of his youth with ‘The Fabelmans’
Jake Guldin, deputy lifestyle editor
• November 30, 2022
Review: Todd Field brilliantly orchestrates one woman’s downfall in ‘Tár’
Jake Guldin, deputy lifestyle editor
• November 27, 2022
Review: ‘Scream’ reinvents the horror genre
Lily Elwood, News Correspondent
• November 11, 2020
November 20, 2024
November 20, 2024
November 19, 2024
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