In lieu of the Feb. 11 article regarding “The Vagina Monologues,” “New Approach to ‘Vagina’ More Inclusive, Accessible,” which omitted important information about the production and V-Day, we are taking this opportunity to recount what we feel was the purpose of this play and what it accomplished.
V-Day, founded in 1998 by Eve Ensler, is a global movement to end violence against women and girls. Through benefit productions of “The Vagina Monologues,” audiences are exposed to women’s diverse experiences with a selection of entertaining and enlightening real-life accounts. V-Day has established itself as a consistently successful nonprofit organization that educates communities and funds shelters and anti-violence organizations.
This year, we worked hard to break down the misconceptions and stereotypes of the production that generally turn off audiences (i.e. harsh, angry and anti-male). We wanted it to be Northeastern-friendly. This meant putting on a play that was appealing and accessible to men and women, students and faculty. We incorporated men into our production concept, promotional endeavors and back-stage dynamic. Collaborating with William O’Keefe, a local artist, and the NU Bassix, an all-male a cappella group, resulted in a production that was visually and audibly stimulating and especially effective in negating the harsh stereotypes.
As directors, we carefully went through each monologue and attempted to cultivate a style of delivery that was free of animosity and highlighted the humor and honesty in the pieces. We made a conscious effort to break the tension and to acknowledge the fact that many people are uncomfortable with the perceived subject matter.
While the article mentioned that the Bassix were involved in the production, it failed to explain what the effect of their involvement was. Music arranged by Cole Goughary and Steve Gregoire was effective as a means for changing the tone and the mood of individual monologues. For example, music was added to a monologue about birth, which may have previously proved uncomfortable for some.
The song, “God Only Knows What I’d Be Without You,” by The Beach Boys, managed to place focus on the monologue’s message: “We forget the vagina. What else could explain our lack of awe, our lack of reverence?” We pursued a collaboration with William O’Keefe because we feel that his artwork portrays women as uniquely beautiful, strong and deserving of respect – themes in line with “The Vagina Monologues.” We welcomed his male perspective as an artist who celebrates women and who is interested in the message of V-Day.
Just as the article severely confused the order and purpose of the play, it also failed to credit any of the actresses in the monologues mentioned. Ironically, the omission of their names is in clear opposition with what “The Vagina Monologues” strives to accomplish, which is to give voices to women and faces to their stories.
Each $15 ticket purchased went toward a total donation to three very different and deserving organizations; approximately $9,000 was raised this year. The Elizabeth Stone House is an organization that is committed to breaking cycles of violence, disempowerment and institutionalization of women in emotional distress and their children. Rosie’s Place is a sanctuary for poor and homeless women who deal with addiction, disease and violence. Easton HUGS (Help Us Get Safe) is a nonprofit organization that educates communities about domestic violence while assisting victims and their families.
“The Vagina Monologues” is a wonderful example of young people coming together to not only set up an environment for social change but to give back to the community. Unfortunately, there was a notable lack of research and accuracy in the Feb. 11 article. Hopefully, we have clarified the goals and accomplishments of V-Day, “The Vagina Monologues” and this production in particular.
– Elisabeth Stenger and Angelica Sirabella are co-directors of this year’s production of “The Vagina Monologues.”
