Reviews

Review: Making sense of the senseless: Coel’s ‘I May Destroy You’ is this year’s biggest Golden Globe snub
Natalie Duerr, news staff
• February 19, 2021

Review: ‘Absolute Proof’ is just as bad as you’d expect
Noah Colbert, news staff
• February 19, 2021

Review: A year later, ‘Black Histories, Black Futures,’ exhibit is as relevant as ever
Chelsea Henderson, news correspondent
• February 16, 2021

Review: ‘Euphoria’ special episodes ground series in reality
Lily Elwood, news correspondent
• February 9, 2021

Review: ‘Promising Young Woman’ more than delivers on its promise
Hannah Rosman, news correspondent
• February 9, 2021

Review: Netflix’s ‘Bridgerton’ features diverse cast but misses the mark
Sarah Barber, news correspondent
• January 26, 2021

Review: TikTok introduces the future of theatre with ‘Ratatouille: The TikTok Musical’
Rachel Erwin, deputy lifestyle editor
• January 9, 2021

Review: Sony’s PS5 provides unlimited possibilities with limited stock
Nolan Piccola, news staff
• December 19, 2020

Review: ‘Sound of Metal’ explores the reverberations of fundamental change
Natalie Duerr, news staff
• December 13, 2020

‘Little Fish’ establishes the importance of shared experience
Natalie Duerr, news staff
• December 7, 2020

Review: ‘We Are Who We Are’ basks in teenage angst and drips reality
Natalie Duerr, news staff
• December 6, 2020

Review: ‘Dash & Lily’ is super sweet, but not to all of its characters
Edith Olmsted, news correspondent
• December 4, 2020