Reviews
Review: ‘We Are Who We Are’ basks in teenage angst and drips reality
Natalie Duerr, news staff
• December 6, 2020
Review: ‘Dash & Lily’ is super sweet, but not to all of its characters
Edith Olmsted, news correspondent
• December 4, 2020
Review: ‘Texas Chainsaw Massacre’ is a must-watch 50 years later
Grace Comer, news correspondent
• November 12, 2020
Review: ‘Borat Subsequent Movie Film’ designed to offend, not teach
Edith Olmsted, news correspondent
• November 11, 2020
Review: ‘Scream’ reinvents the horror genre
Lily Elwood, News Correspondent
• November 11, 2020
Review: Wesley Lowery’s ‘They Can’t Kill Us All’ continues to inform the fight for Black lives
Taraneh Azar, news correspondent
• November 11, 2020
Review: ‘Minari’ is food for the soul
Natalie Duerr, news staff
• November 9, 2020
Review: Virtual play ‘Downtown Crossing’ highlights voices of undocumented immigrants
Rachel Erwin, news staff
• November 9, 2020
Review: ‘The Haunting of Bly Manor’ frightens with suspense
Sarah Olender, lifestyle editor
• October 29, 2020
Review: Feminism in comedy flick ‘The Witches of Eastwick’
Hannah Rosman, news correspondent
• October 28, 2020
Review: The characters of ‘French Exit’ are ‘as dry as the on-screen martinis’
Natalie Duerr, news correspondent
• October 28, 2020
Review: ‘Nightmare on Elm Street’ pioneered new genre of horror
Grace Comer, news correspondent
• October 25, 2020
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