Reviews
Review: For a moment, Marvel’s ‘WandaVision’ breaks free from MCU mold
Nolan Piccola, news staff
• March 9, 2021
Review: ‘Malcolm & Marie’ is a bottled-up rocket that never takes off
Natalie Duerr, news staff
• March 3, 2021
Review: Making sense of the senseless: Coel’s ‘I May Destroy You’ is this year’s biggest Golden Globe snub
Natalie Duerr, news staff
• February 19, 2021
Review: ‘Absolute Proof’ is just as bad as you’d expect
Noah Colbert, news staff
• February 19, 2021
Review: A year later, ‘Black Histories, Black Futures,’ exhibit is as relevant as ever
Chelsea Henderson, news correspondent
• February 16, 2021
Review: ‘Euphoria’ special episodes ground series in reality
Lily Elwood, news correspondent
• February 9, 2021
Review: ‘Promising Young Woman’ more than delivers on its promise
Hannah Rosman, news correspondent
• February 9, 2021
Review: Netflix’s ‘Bridgerton’ features diverse cast but misses the mark
Sarah Barber, news correspondent
• January 26, 2021
Review: TikTok introduces the future of theatre with ‘Ratatouille: The TikTok Musical’
Rachel Erwin, deputy lifestyle editor
• January 9, 2021
Review: Sony’s PS5 provides unlimited possibilities with limited stock
Nolan Piccola, news staff
• December 19, 2020
Review: ‘Sound of Metal’ explores the reverberations of fundamental change
Natalie Duerr, news staff
• December 13, 2020
‘Little Fish’ establishes the importance of shared experience
Natalie Duerr, news staff
• December 7, 2020
GET OUR WEEKLY NEWSLETTER: