Reviews
Review: ‘Earwig and the Witch’ fails to live up to Studio Ghibli standard
Lily Elwood, news staff
• March 12, 2021
Review: ‘Two of Us’ thwarts its character’s plan for love
Natalie Duerr, news staff
• March 12, 2021
Review: ‘Zoey’s Extraordinary Playlist’ takes on racism in tech — through song.
Gwen Egan, news correspondent
• March 11, 2021
Review: ‘Raya and the Last Dragon’ paves the way for Southeast Asian representation in the Disney canon
Rachel Erwin, deputy lifestyle editor
• March 10, 2021
Review: For a moment, Marvel’s ‘WandaVision’ breaks free from MCU mold
Nolan Piccola, news staff
• March 9, 2021
Review: ‘Malcolm & Marie’ is a bottled-up rocket that never takes off
Natalie Duerr, news staff
• March 3, 2021
Review: Making sense of the senseless: Coel’s ‘I May Destroy You’ is this year’s biggest Golden Globe snub
Natalie Duerr, news staff
• February 19, 2021
Review: ‘Absolute Proof’ is just as bad as you’d expect
Noah Colbert, news staff
• February 19, 2021
Review: A year later, ‘Black Histories, Black Futures,’ exhibit is as relevant as ever
Chelsea Henderson, news correspondent
• February 16, 2021
Review: ‘Euphoria’ special episodes ground series in reality
Lily Elwood, news correspondent
• February 9, 2021
Review: ‘Promising Young Woman’ more than delivers on its promise
Hannah Rosman, news correspondent
• February 9, 2021
Review: Netflix’s ‘Bridgerton’ features diverse cast but misses the mark
Sarah Barber, news correspondent
• January 26, 2021
November 23, 2024
November 23, 2024
November 22, 2024
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