Review: ‘Dune: Part Two’ lives up to its hype, brands itself as an all-time-great sequel
Ian Dartley, news correspondent
• March 24, 2024
Column: ‘Oppenheimer’ wins big at best-produced Oscars ceremony in years
Jake Guldin, lifestyle editor
• March 15, 2024
Column: The 2024 SAG Awards featured awkward moments, surprise wins
Olivia Woodard, news correspondent
• March 10, 2024
Review: ‘Past Lives’ tells a not-so-average love triangle story
Jake Guldin, lifestyle editor
• March 10, 2024
Review: ‘Poor Things’ explores female empowerment, sexuality with humorous moments
Laura Emde, deputy lifestyle editor
• March 10, 2024
Review: ‘American Fiction’ is a smart, overstuffed satire on racial equality
Daniel Patchen, news correspondent
• March 10, 2024
Review: ‘Maestro’ miraculously manages to carry a tune
Jake Guldin, lifestyle editor
• March 10, 2024
Review: ‘The Holdovers’ provides Christmas warmth year-round
Kristina DaPonte, deputy lifestyle editor
• March 9, 2024
Review: ‘Anatomy of a Fall’ leaves no easy answers in its study of a toxic marriage
Daniel Patchen, news correspondent
• March 7, 2024
Column: Is the BAFTA jury system out of touch?
Caleb Lee, news correspondent
• February 17, 2024
Review: ‘All of Us Strangers’ will both break and warm your heart
Claudie Bellanger, news correspondent
• February 7, 2024
Retro Review: ‘Happy Death Day’ is another shallow time-loop film
Ben Churney, news staff
• February 7, 2024
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