Review: The chaotic calamity Sean Baker and Mikey Madison bring to ‘Anora’
Ian Dartley, news correspondent
• November 5, 2024
Review: ‘Furiosa: A Mad Max Saga’ is all gas and no brakes, but occasionally trips on its own ambition
Ian Dartley, news correspondent
• June 12, 2024
Review: ‘Challengers’ is a cinematic ace
Jake Guldin, news staff
• May 26, 2024
Review: ‘The Fall Guy’ somewhat sticks the landing in its tribute to stunt performers
Daniel Patchen, news correspondent
• May 13, 2024
Review: ‘Civil War’ has little to say about America
Emily Boyle, news correspondent
• May 12, 2024
When ‘Women Take The Reel,’ stories are magnified, audiences are enlightened
Meghan Hirsch, news correspondent
• April 10, 2024
Review: ‘Dune: Part Two’ lives up to its hype, brands itself as an all-time-great sequel
Ian Dartley, news correspondent
• March 24, 2024
Column: ‘Oppenheimer’ wins big at best-produced Oscars ceremony in years
Jake Guldin, lifestyle editor
• March 15, 2024
Column: The 2024 SAG Awards featured awkward moments, surprise wins
Olivia Woodard, news correspondent
• March 10, 2024
Review: ‘Past Lives’ tells a not-so-average love triangle story
Jake Guldin, lifestyle editor
• March 10, 2024
Review: ‘Poor Things’ explores female empowerment, sexuality with humorous moments
Laura Emde, deputy lifestyle editor
• March 10, 2024
Review: ‘American Fiction’ is a smart, overstuffed satire on racial equality
Daniel Patchen, news correspondent
• March 10, 2024
December 5, 2024
December 5, 2024
December 5, 2024
December 5, 2024
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