Reviews
Review: Mitski’s artistic ‘The Land is Inhospitable and So Are We’ gives listeners a lot to unpack
Sarah Popeck, news staff
• September 21, 2023
Review: ‘Barbie’ highlights the harsh realities of womanhood while maintaining humor
Laura Emde, deputy lifestyle editor
• August 28, 2023
Review: ‘Oppenheimer’ is Nolan’s greatest achievement — and his most controversial effort yet
Yaakov Aldrich, news correspondent
• August 9, 2023
Review: ‘Into the Woods’ strips down classic fairy tales at Emerson Colonial Theatre
Sarah Popeck, news staff
• April 24, 2023
Review: ‘John Wick: Chapter 4’ honors franchise in a ferocious frenzy
Ben Churney, news correspondent
• April 20, 2023
Review: ‘Creed III’ holds its own in the ever-expanding sea of blockbuster fare
Jake Guldin, deputy lifestyle editor
• March 14, 2023
Review: Season three of ‘Outer Banks’ strays from its initial lore
Kyle Kucera, news correspondent
• March 14, 2023
Review: ‘Cocaine Bear’ fails to let its titular star shine
Juliana George, lifestyle editor
• March 9, 2023
Review: ‘Knock at the Cabin’ is Shyamalan’s best in years — but that isn’t saying much
Jake Guldin, deputy lifestyle editor
• February 17, 2023
Review: ‘M3GAN’ balances elements of horror and serious themes with comedy
Laura Emde, news staff
• February 1, 2023
Review: Steven Spielberg re-examines the highs, lows of his youth with ‘The Fabelmans’
Jake Guldin, deputy lifestyle editor
• November 30, 2022
Review: Todd Field brilliantly orchestrates one woman’s downfall in ‘Tár’
Jake Guldin, deputy lifestyle editor
• November 27, 2022
January 29, 2025
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