Reviews
Review: ‘Babes’ is hard to pin down, yet easy to watch
Meghan Hirsch, news correspondent
• June 16, 2024
Review: ‘HIT ME HARD AND SOFT’ cements Billie Eilish’s legacy as a modern pop icon
Carol Queiroz, news correspondent
• June 14, 2024
Review: ‘Furiosa: A Mad Max Saga’ is all gas and no brakes, but occasionally trips on its own ambition
Ian Dartley, news correspondent
• June 12, 2024
Review: ‘The Fall Guy’ somewhat sticks the landing in its tribute to stunt performers
Daniel Patchen, news correspondent
• May 13, 2024
Review: ‘Civil War’ has little to say about America
Emily Boyle, news correspondent
• May 12, 2024
Vibing with the happiest band on Earth: The 502s rock the House of Blues
Sofia Sawchuk, photo staff
• May 10, 2024
Retro Review: ‘Pride and Prejudice’ (2005) is beloved, celebrated for a reason
Ben Churney, news staff
• May 8, 2024
Retro Review: ‘Little Women’ (1994) needs way more love
Ben Churney, news staff
• May 5, 2024
Review: ‘The Tortured Poets Department’ shines at its best, but crashes at its worst
Laura Emde, news staff
• May 1, 2024
Review: Bad Bunny returns to Boston with the ‘Most Wanted’ show
Julia Finocchiaro, news correspondent
• April 30, 2024
Retro Review: ‘To Kill a Mockingbird’ stands the test of time
Ben Churney, news staff
• April 30, 2024
Review: Olivia Rodrigo played TD Garden and fans couldn’t be ‘happier’
Jake Guldin, lifestyle editor
• April 10, 2024
December 19, 2024
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